A Million-Dollar
Look
Primary & secondary correction, shot matching, film emulation and custom cinematic looks in DaVinci Resolve. We make every frame intentional — your footage deserves colour that actually means something.
Everything You Need
LOG / RAW primary grading
S-Log, C-Log, BRAW, ARRI LogC — we work in your native colour science.
Shot matching & continuity
Consistent look across every angle, lighting condition and camera.
Custom LUT creation
Bespoke .cube LUTs built around your camera, story and brand.
Film emulation & grain
Kodak, Fuji and ARRI-inspired looks applied with restraint.
Skin-tone & beauty work
Precision secondary masks to protect and enhance talent.
DPX / ProRes master delivery
Graded masters in any format required, plus a final LUT export.
A Simple, Transparent Process
Footage Handoff
Deliver your RAW/LOG files, LUT preferences and references.
Primary Grade
We establish exposure, white balance and base contrast.
Secondary & Look
Selective colour, window masks, creative grade applied.
Export & Delivery
Graded DPX / ProRes masters + a custom LUT for the edit.
Built For Ambitious Creators
Common Questions
DaVinci Resolve is our primary tool, using Fusion and Color pages. We can also deliver XML or CDL round-trips for Premiere Pro timelines.
Yes — we require LOG or RAW files for the best results. We can work with h.264 if LOG is unavailable, but final quality depends on source.
Yes. Custom LUT creation is included in most grading packages or available as a standalone add-on.
We include 2 rounds of revisions as standard. Unlimited revisions are available on retainer.
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